Seeing Broadway’s First Black Cinderella

When I heard of Keke Palmer’s casting as the first black Cinderella on Broadway, I didn’t imagine I’d end up seeing the show in person!

It was a girls night out: sisters and groups of friends; an adorable Girl Scout troop of mostly pre-tween and tween black girls and quite a few mother/daughter pairings attended. One little girl dressed like a little lady wearing pearls and donning an updo, accompanied by her very chic and sophisticated mother who wore an enviable black cape, melted my heart. I attend a lot of plays and as I snarked to my sister, “I don’t think I’ve ever seen this many black people at a play in my life.” I’m so used to being one of few.

I Don’t Pop Molly

“I don’t pop molly, I rock Tom Ford.”

– Jay-Z, “Tom Ford, 2013

If you listen to hip-hop these days, you’ve no doubt heard all the references to molly (basically ecstasy): “I Can’t Seem to Find Molly“, “Popped a molly, I’m sweatin‘” or maybe you’re even listening to Miley “cultural appropriation” Cyrus’ latest song. She sings about poppin’ mollies in “We Can’t Stop“. [She told producers she wanted “something that sounds black.” Girl, get your life! I give major side-eye to people who reduce blackness to the sliver of sub-culture of which they are aware. You need to diversify your black exposure. 13 million black Americans aren’t all the same. It’s like if Rihanna said she wants a “white” sound for her next album and had bagpipers all up in her video. Have a seat with your pancake booty that has no business twerking.]